That Drifting Excrement Was Far Too Meaningful! These Are the TV Disappointments of the Year.

As we consider the television landscape of the recent year, a handful of shows emerge not for their excellence, but for their notable failures. From cringe-inducing spin-offs to bafflingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Burdened with dreadful writing, painful character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the final season began, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It concluded on a low point; the lingering shot of Miranda’s toilet flooded with poo was simply too symbolic. Yet, viewers undeniably found joy picking apart every single “wtf?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this drama's issues. The recipient of a very rare no-star assessment, it was difficult to know where to start enumerating the flaws. The hilariously wooden writing? The mind-numbing veneration of wealth and materialism? The almost wilful parade of cliches? Performances so bad they felt borderline malicious? Let’s just say “each and every one” and forget about this show again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be reserved for the people who have had to endure proximity with this charismatic but dismissive egotist.

The Supercomputer Drama

Of course we knew it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady figures meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various cockney rogues which seemed rather simplistic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various forays into quaint homemaking as deliberate statements. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll forget instantly. All supported by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for some reason, this three-part series chose not to say them. Instead, the viewing was like reading a marketing catalogue. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and killing off – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for explicit escapades as she undertook her most extreme challenge yet. What on earth would possess her? What we wanted was way more interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Hannah Blake
Hannah Blake

A seasoned betting analyst with over a decade of experience in UK gambling markets, specializing in data-driven insights.